In the upcoming issue of
NIGHTSHADE:
INTERVIEW WITH DR. BLOOD, WEBMASTER OF
DR. BLOOD'S VIDEO VAULT
CONDUCTED BY LUCINDA MACGREGOR
We want to highly recommend the site for its variety of horror materials,
film reviews, goth models' photos, chat section, etc., plus its overall
entertainment values and the entire layout.
A truly well-done website devoted to the horror genre. Thus it seemed
appropriate to seek an interview with Dr. Blood.
Q) How did you develop your interest in the horror genre?
This is a very tricky question to answer. I think
it must have been due to Hammer horror films and the old black and white
Universal horror movies I watched as a child. There is a film that I remember
called "I Walked With a Zombie" which I adore
and it was shown by the BBC in a season of the old Universal horror films.
I used to stay up late and watch them until closedown . . . yes, there
was a time when TV ended at around 11 p.m. here . . . that was true horror!
Anyway, I watched all of them, Boris Karloff as Frankenstein and the
Mummy, Bela Lugosi as Dracula, and my favorite, Lon Chaney, Jr., as the Wolf
Man. I didn't limit myself only to horror films though. I also
loved watching Basil Rathbone as Sherlock Holmes and even watched Jimmy Stewart
and Cary Grant comedies from time to time. I loved all movies!
Possibly it was an escape from my loneliness as an only child,
but I tend to think that I loved the 'fantasy" films because they were food
for an ever curious mind which had long since outgrown more childish
stories.
When I was about eight years old, I read
Lair by James Herbert, an English author
who broke the mould as far as English horror stories were concerned. The
story was about giant man-eating rats. It sounds silly but it was
compulsive reading. As I owned a pet rat, I bought the book because
it had a picture of one on the cover, then I read it and loved it! Each year,
Herbie seemed to publish close to my birthday and so I grew up reading his
work as his writing developed.
His latest work,
Others, I could quite happily
throw in the bin though as he took a leaf out of Stephen King's book (literally)
and ruined the ending of it by killing off a beautiful character.
Stephen King if you are reading this, I will never forgive
you for killing Mattie Devore!
Anyway, back to the story . . . well, I was always a bit of
a sick puppy I suppose . . . I used to burn ants with a magnifying glass
in the sun and all the other nasty things that little boys do . . . I never
"got off" on it though like some weirdos mighthave done nor did I even think
of progressing to more sadistic things. I just loathe bugs and executing
them made me feel so much better! In fact, the only films that scare
me are ones with bugs in. I can't watch
"Arachnophobia" or
"Ticks" without feeling very uncomfortable .
. . but I can watch someone being diced into a hundred pieces by a threshing
machine and not even wince. Horror is a very personal thing, isn't
it?
There is nothing in reality that actually scares me. Some
things sicken me to my stomach, such as rapists and people who inflict terrible
injuries both mental and physical on others for no good reason at all, and
by "no good reason" I mean politics or religion. In general, I am hardened
to just about everything. Maybe it has occurred through horror films
and books, but I prefer to think it is because people just do got hardened
as they get older.
Q) What motivated you to create your website?
When I was unemployed after leaving university I was looking for a literary career and was planning a holiday to Whitby to get some inspiration in the place that Bram Stoker wrote Dracula. Out of curiousity, I contacted a tourist exhibit there called "The Dracula Experience" and was told that they were planning to publish a magazine for fans of Dracula and launch The Dracula Experience Society, a kind of club, to enable like minded souls to meet. I offered my services as the video reviewer and co-editor of the magazine and we published it for nearly four years. After the "Centenary" celebrations, 1887 being when Bram Stoker wrote Dracula, interest died down a bit . . . so I decided to make a website and record the history of the society and parts of the magazine for people to look on with fondness. I had been surfing the net for about two years before I thought of making a site. It all seemed so difficult . . . but I learnt HTML in about a week and coupled with MS Publisher I made a really appalling site out of all my notes and bits of the magazine. I then looked at the "Official" Whitby Dracula Society site, which never got finished and was far more awful than mine! So I then kept on plugging away and by October last year I had finally got a site up and running which I consider now to be one of the best horror sites on the World Wide Web. A lot of other people think so too, which is why I keep adding more to it. It just keeps growing and growing . . .
(Interviewer response: Yeah, that's why I wanted to interview you!)
Q) How do you select what you will include on your site? And how frequently do you update it?
I just add stuff which I like. It isn't all horror,
some things are just about me and my "other personalities," i.e. my real
life! But for the most part, I select images that will look good and
capture the feel of the horror genre. I look for the more tongue-in-
cheek things, because horror films are supposed to be fun as well as being
"sh_t-your- pants scary." I have avoided real life horror on my site
because there are too many of those "amputation and mutilation" sites out
there already and although they are good for a chuckle once in a while they
aren't of any lasting interest, I tend to concentrate an the "Video Vault"
page itself.
Watching films and giving my opinions on the ones I watch to
the world is what keeps me going throughout the travesty which I call me
life. I also use the website to keep in contact with my online friends
. . . which I seem to have acquired a great many of over the years . . .
though in making them, I have also lost a great many real life friends .
. .but that is another story . . . "Internet addiction" is the key phrase
here!
I update once a week, or sometimes three or four times a day . . . it depends on what I have to add. Visitors can often be surprised when they go to click "Back" and the page that was there before now has about twenty new things on it!
Q) What is your background in website design?
I am self-taught in everything I do. I had a mispent youth playing
with early computers and my first job, at nineteen, was as a typesetter.
I used to create magazines and books on a clunky old computer which
used a "mark up" language not too dissimilar to HTML. Then I bought
a couple of books on HTML, which were a waste of money as I already knew
more than they told me just by looking at the source code of web pages I
liked.
I am currently employed as a website designer, though I have
to say it isn't quite the
wonderful job some people think it is. I don't just surf the Net all
day! I have lots of
mundane things to do, such as typing in lots of text and resizing pictures
of some of the most boring things you could ever imagine, but it beats printing
teabags which is what I used to do just a year ago. My advice for anyone
wishing to be a website designer, however, is "Don't."
It is fun to do your own site, but when it comes to doing other
people's it can be hell!
Q) How popular is the horror genre in England where you reside? Compare it to the U.S. and elsewhere.
I think the popularity of the horror genre everywhere has
been gradually dying because of "Trendy Hollywood" horror. Films like
"Scream" and "The
Craft," although having some merits, just weren't scary at all.
Although we still get the occasional "good and gorey" horror film such
as "Event Horizon" or even Wes Craven's
"Wishmaster" . . . for the most part, horror
has merged with the action genre and created hybrid comicbook stuff such
as "Blade."
The days of coming out of a "Nightmare
on Elm Street" sequel buzzing with the post-film rush, seem long since
over. We have a more demanding audience here now who don't just want
effects but want an engaging storyline as well.
My friends in the U.S. love horror but also often cite the
older films from the 80's as being the best. I agree though I was not
totally into Jason and Freddy and all the sequels. The 80's were the
best time for horror, when watching a video cassette of the latest scary
film was a novelty. Thus I think that the horror genre belongs more
to a time than a region, but in saying that, I think there are things to
come from this country which will shock the pants off the rest of the world
. . . among them a few non-genre films which have moments of true horror.
Q) Who are some of your favorite horror writers? Your favorite horror films?
Well, my favorite horror writer I already mentioned
as being James Herbert. I also read Stephen King, Peter James, Richard
Laymon, Shaun Hutson and Guy N. Smith. I read a few Dean Koontz novels,
too, and felt them to be well-written but very "samey" and too derivative
of others. His best work, Phantoms, was made into an appalling film
last year.
My all time favorite horror film is
"American Werewolf in London." It is a
great film to watch when it is raining outside and you are cosy and warm
watching the two friends crossing the bleak Yorkshire moors! I think
the werewolf transformation scene was fantastic, Rick Baker excelled himself.
The love story involving the beautiful Jenny Agutter is,however, the
best reason for watching!
The scariest horror films I have seen are
"The Haunting" and "The
Exorcist." They typified the genre for the decades they were made
in. I am also partial to "The Omen" trilogy
. . . there's just something about the idea of such a power of evil existing
as in those films that it makes you wonder about a lot of things that happen
in the world.
I am not into the really sick, gorey stuff with no plot, but
one of the best of those is
"Demons."
I like a good story and a lot of frights . . . I would love
to see a truly scary ghost story but apart from the
"Entity" and
"Poltergeist" that genre has been abandoned
for the most part.
The BBC did a short film for Christmas one year called
"Lost Hearts" which being based on an M. R.
James story was the most horrific ghost story I have ever seen, and I would
love to see some big shot Hollywood director make an anthology of all M.R.
James' stories.
Q) What are some of your favorite horror zines? What about your favorite horror websites?
I used to like reading
Fangoria but I must be out of touch because
I haven't seen one in years. I have no idea if it is even in existence
anymore. If it is, I would love to see Fango's web site. I have
also read UK based horror magazines such as
Shivers and The
Dark Side, the latter being my favorite though it has also
ceased to be. I must admit I spend more time reading computer magazines
than any other kind nowadays.
As for my favorite horror websites, well I kinda like my own
more than anyone else's! I do like aspects of some of the better designed
vampire sites such as "Pathway to Darkness" and some of the personal homepages
which I have listed among my "Bloody Links" but what I really like on the
web are all the accounts of true ghost stories . . . they send shivers up
and down my spine every time!
I am also an addict for chatrooms and have built up quite a
reputation in places like "Real Hollywood" and "Eurochat" because of my very
English sense of humor and bitterness towards any form of censorship. I
have made a great many friends online, most of them women who seem attracted
to my "dark side"! LOL! I have fallen in love a few times and
been badly hurt with online relationships, but it doesn't seem to stop me
. . . I am now currently in love with a beautiful NY girl who is going to
take me to the witchcraft museum in Salem . . . maybe this time I have found
my soul mate.
Q) Have you made many contacts because of your website?
I have made quite a few friends and interesting contacts
through my website, got my
present job because of it, and even found Michelle, the girl of my dreams
through it. She is a werewolf, by the way . .
. but you can't have everything can you? To be blunt, I have met people
a lot stranger than that and have attracted a few psychos along the way .
. . but that goes with the territory . . . if you play with the Devil, expect
hime to come looking for you when you are home.
Q) What direction do you think
the horror genre is taking?
I think the horror genre is amalgamating far too much with
the action genre. I have seen truly horrific scenes in a great many
non-genre films which I would have love to have seen in a film classed as
horror, e.g. Marvin's torture in "Reservoir
Dogs."
Films like "Spawn" and
"Blade" and, to a certain extent,
"Razor Blade Smile" have gone more for the
comic-book hero genre and have been a little bit disappointing in that they
were not true horror films. I think the great days of films like
"Re-animator" are over . . . but maybe someone
will change my mind with a truly adult horror one of these days and surprise
me.
Q) What direction do you think the Internet
(as a tool of communication) will take?
I think the intemet will become more channelled and focused.
At the moment a lot of sites never get seen because they are hidden
away among cliquey little webrings and are not often submitted to search
engines and it is a shame. More choice but channelled into a better
order would make the Internet a much more user friendly environment. It
should be like TV but without censorship . . . any form of censorship is
like a gag round anyone trying to communicate and that is the sole purpose
of the Intemet, isn't it? But I can imagine that any form of re-ordering
the net would lead to a lot of "puritanical" censorship for the sake of the
world's children . . . and that would be a pity because having freedom to
view as much information as possible can only ever be a good thing.
I would like to see the bandwidth increase to allow films and
videos to be viewed more easily across the net, and I would like to see webphones
and video conferencing becoming more popular. Those things at least
are happening slowly but surely.
Q) What are your future plans for your website?
I plan to make my website the ultimate horror resource on the web. The interactivity of the Demeter online magazine for people to send their own work to and see it published instantly, will be my priority, though I am also looking at including a few movie MPEGS for those who just like to watch. There will also be a few more of my original pieces of programming and examples of my musical talents . . . I will be adding lots of stuff!
Q) What attracts you the most to horror?
An escape from the humdrum of day to day living, the chance to see human kind defeat yet another monster . . . monsters which mirror our own personal demons.
BE SURE TO VISIT DR. BLOOD'S FANGTASTIC SITE AT
http://www.deancharles.clara.co.ok
EMAIL: DrBlood@deancharles.clara.co.uk
From THE VAMPIRE JOURNAL #1:
THE REAL
DRACULA
BY
THOMAS SCHELLENBERGER
If Bram Stoker's
Dracula did not already have a pale
complexion, he certainly would have paled at hearing the atrocities of his
alleged real-life counterpart, Prince Vlad Tepes, whose name is becoming
as much of a household word.
Scholars Raymond T. McNally and Radu Florescu have been credited
with bringing the fifteenth-century monarch to the attention of a modern
world that merely considered Dracula a product of some writer's imagination.
A number of biographers, however, from many different lands, have long
chronicled the tales of Vlad III (or IV or V? There has been controversy
over the number of Vlads up to Dracula). These historians presented
varying accounts.
"Did Dracula really live? Was he actually a vampire?
Did he drink blood?" These are the most frequent questions put
to me, and I am so weary of them that one day I might say that Vlad the Impaler
truly was one of the undead and still walks the Earth today (though the real
Dracula was never associated with vampirism while he lived, some superstitious
peasants in Transylvania fear that he does still stalk the populace or that
his spirit haunts the island where he is said to be buried.)
Vlad Tepes, also known by his enemies as "Sir Stake," "The
Berserker," and "The Bloodthirsty Monster" (while it has been stated that
Dracula drank blood symbolically McNally and Florescu dispute it), Tepes
is considered one of the most colorful and controversial figures in Romania's
history.
He is colorful in that he is a major drawing factor in American
and Western European tourism and controversial in that his background and
image have often been confused and misinterpreted (the Romanians allude this
to the novel and motion pictures. While they are clearly resentful
of the "vampire" representation of whom they contend was a gallant hero,
they still like to play on the myth for the sake of gaining the American
dollar).
Yes, the Romanians do consider Dracula a great protector; an
equivalent of George Washington who, like Vlad the Impaler, repelled an awesome
invader and established a capital city.
There are some Romanian citizens, still, who regard the ruler
as strictly a madman whose barbarianism could never excuse the so-called
"defense" of the kingdom. This was because many of Dracula's own subjects
were victims of his cruelties.
All concur that the Prince was a sadistic leader whose deeds
or misdeeds were not easily surpassed by other monarchs, before during, or
after. He perhaps would have made even Hitler wince.
Dracula was born in 1431 (500 years prior to the making of
the first American Dracula film, which solidified our country's love affair
with the Count) in a small town known as Sighisoara. The house of his
birth, described by McNally and Florescu as a "typical German burgher's house,"
still stands today (a few heads popped out of the windows when I was there.
No, they were not descendants of the Prince, but the men who maintain
the place). A plaque hangs on the wall outside proclaiming that Vlad Dracul,
Dracula's father, lived there in 1431.
During that same year, Dracula's family was invested with the
Order of the Dragon by the Holy Roman Emperor Sigismund of Hungary. Those
bestowed by the Order, founded in 1418 by Sigismundo enlisted in the defense
of the sovereign of the Order and his family, battled the infidels (particularly
the Turks, who threatened to overrun Eastern Europe and make it a Moslem
state), and perpetuated the memory of the condemnation of the "heretic" Jan
Hus at Constance in 1416.
Dracul (also a violent man, his name meaning "dragon" or "devil")
was the illegitimate son of Mircea the Great, Prince of Wallachia. It
should be mentioned at this point that the nation or Romania was not yet
to come into existence until after World War I. Instead, the area consisted
of three separate provinces Wallachia, Transylvania, and Moldavia.
In 1436, Dracul, who had become a military commander after
receiving the insignia of the Dragon, ousted his half-brother, Aldea, from
the Wallachian throne. He occupied it until 1442, then from 1443 to
1447.
Dracula (the "a" on the end of a name means "the son of") was
the second born of the next generation. The eldest was Mircea, the
favorite of Dracul who was to escape a fate that Dracula and younger brother,
Radu, were soon to suffer. Later, another Vlad was born, who would
become a monk and Wallachia's ruler in 1481.
The Turks, whom Vlad II and his heirs were bound by oath to
oppose, had gained the upper hand against the Hungarians by conquering Serbia
and Bulgaria. Indeed, Eastern Europe was again in jeopardy of being
dominated by the Muhammadans, and Dracul's stronghold would naturally be
included.
Following the death of Emperor Sigismund, Vlad II yielded to
pressure and broke the trust placed in him. He signed an alliance with
Murad II, the Turkish sultan, which allowed him to remain on the Wallachian
throne if he agreed to assist the Turks in the looting and killing of his
own people.
Janos Hunyady, the newly appointed governor of Hungary, was
understandably upset with Dracul over this development and led an army into
the Prince's land to depose him. Dracul and his family fled to Turkey
when Hunyady's soldiers invaded, after which a new ruler, Basarab II, was
placed on the throne.
A year later, with Turkish aid, Dracul was returned to power,
but under certain conditions. One was that he pledge never again to
participate in military action against Turkey, and that he offer yearly
contingents of Wallachian children for the purpose of enlisting in the Turkish
janissary corps.
In accordance with the second term, Dracula (at the time, age
twelve) and Radu (age nine) were made hostages by the Turks to ensure Vlad
II's good behavior (Mircea was allowed to stay, since he was the first heir
to the throne). The Turks had planned to instruct the two Wallachian
boys in the ways of their land, but would shape the elder one into a creature
destined to cause much death and destruction (one might say that the Turks
were creating a "Frankenstein monster").
Dracula felt betrayed, of course, by his father, and would
remember his Turkish captors who mistreated him and his younger, weak-natured
brother.
It was during this young, impressionable age that Dracula received
a penchant for torture. The future impaler practically made a hobby
out of killing, bribing his guards to bring him birds and other smaller animals
to "stake" on small sticks. This could have suggested Renfield, the
mental patient in Stoker's novel, who constantly pleaded with the attendants
to bring him insects to consume.
Dracula's captors were amused and impressed by the lad's growing
ferocity and felt that he would be ideal to serve in his father's place as
Prince of Wallachia. They were also confident of Dracula's continued
loyalty to them in spite of his belligerent attitude (Were they in for a
rude awakening).
In the meantime, Dracula's father, in an attempt to renew his
"Dragonist" oath, had put his own salvation and what he claimed his country's
ahead of that of his two sons. Dracul and Mircea had launched a new offensive
against the Turkish army, and it was a miracle that Dracula and Radu were
not put to death because of it. When Dracul had later learned that
the two boys were still alive, the Turks again sought a promise of obedience
from him.
It was not too much later when Janos Hunyady, whose hatred
for Dracul had intensified over the years due to pro-Turkish policies and
political disputes, led another invading force into Wallachia. This time
it was a success, as Vlad II and heir Mircea were now dead.
In 1448, young Dracula (who was alone; Radu chose to remain
with Sultan Hurad) was given an officer's rank in the Turkish army. With
help from his Moslem "friends," Dracula seized his late father's office.
The new sovereign was fearful of being murdered by the same
conspirators who had done away with his family (some of Vlad II's own men
had assisted Hunyady in the coup), so after two months, he fled to
Moldavia where his uncle, Prince Bogdan II, ruled. Three years later,
Dracula made an unlikely friend: Hunyady. The "Son of the Devil"
apparently felt that he had little choice in joining with his father's killer,
since Bogdan had just been assassinated by a foreigner and the Turks were
again on the move after defeating Constantinople.
Neither Dracula nor Hunyady ever fully trusted each other.
Relations had deteriorated, though, between Hunyady and his former
protégé, Vladislav II, so Dracula turned out to be the only
one he could rely on to help battle his enemies, the Turks.
With the fall of Constantinople, the new Turkish sultan had
determined to destroy what was left of Eastern Europe, and Dracula was assigned
by to defend the Transylvanian border. The position of military commander,
as his father before him, made Dracula a candidate for the Wallachian throne,
which he finally resumed by force in 1456 after Hunyady's death by the
plague.
Dracula's reign of terror had actually commenced during this
second "cycle." The Voivode had a good memory and demonstrated that
he was not a forgiving person as he executed the boyars who plotted against
his father. He also showed that he would never favor the Turks, as
he always welcomed the opportunity to slay one or several.
One of the most popular stories about Vlad Tepes involved two
Turkish Tourists who refused to remove their turbans when the Prince passed
by on the street. They explained that it was against their custom.
Dracula then informed them that he would like to strengthen their custom,so
he ordered his men to nail the Turks' turbans to their heads.
Historical texts have been inconsistent on some of the accounts
discussed thus far, but all agree on the viciousness of Prince Vlad Tepes,
unparalleled by many.
As any student of Dracula should know, Vlad III's favorite
form of execution was impalement on a wooden stake, a nostalgic remembrance
of his childhood pastime. Death by this method was not always
instantaneous, as the edge of the shaft was blunted and smeared with oil.
With the intended victim's legs spread apart, the stake was usually driven
up the anus until it emerged from the back of the neck.
Over 30,000 foreigners and Wallachians alike were put to death
in this manner, and "The Berserker" was said to haven been present at all
of the executions.
Dracula's feeling of being betrayed his mistreatment by the
Turks, and his constant dread of assassination made him cynical, causing
a low regard for human life.
Besides impalement, the Prince compelled others to acts of
cannibalism; he killed babies, roasted them, and forced their mothers to
eat them. (This was one trait that did not exist in the fictitious
Dracula, for I have never seen a single movie or book where the familiar
black-cloaked figure ever harmed or even threatened a child).
He also had his enemies and subjects hacked to pieces, and
would never tolerate illicit sexual behavior, laziness among his people in
civilian or military duties, or any form of criminal activity (even petty
thieves were being impaled).
Vlad Tepes' defenders today insist that it was an era during
which a monarch had to evoke fear and an evil reputation to ensure his continued
authority and the salvation of his land.
The "evil reputation" certainly did prove its worth when Dracula
had learned of an invading Turkish force which greatly outnumbered his own.
He resorted to a form of "psychological warfare," whereby the Prince
had thousands of his own countrymen impaled at that point on the border where
the Turks were due to arrive.
The invaders who beheld the gruesome sight were sickened and
horrified. They all retreated, afraid to face the man who had perpetrated
such a foul act.
In the light of all this, it might be appalling to excuse Dracula's
mass destruction of innocents for reasons of national survival. But
many contend that such grisly actions were still necessary.
Dracula was also a religious man (the divine and the
demonical in one) who believed that constructing churches and monasteries
atoned for his sinfulness. The Voivode has been credited, incidentally,
with preserving Christianity throughout Eastern Europe (!) by his unrelenting
crusade against the Turks.
By the end of the "Bloodthirsty Monster's" second rule in 1462,
the Turks had finally besieged his castle in the Carpathians and destroyed
much of it. (It was totally destroyed by an earthquake in the early
part of the twentieth century).
Dracula's first wife had committed suicide in preference to
being captured by the Turks, but the Prince and some of his followers had
managed to escape to Hungary. There, Vlad sought aid from King Matthais,
who instead imprisoned the deposed leader. It was due to the numerous
complaints against Dracula by the German inhabitants of Sibiu, a town long
scourged by the Voivode.
So for the next fourteen years, Dracula remained a prisoner,
eventually becoming a model one. Convinced of his rehabilitation, Matthias
decided to reward the former monarch by helping him regain his leadership
of Wallachia.
Dracula had also fallen in love with the King's daughter and
married her, which required his conversion to Roman Catholic. Vlad Tepes
had previously hated the Catholic Church, as he had been Eastern Orthodox
(though Vlad III had still not been considered a vampire, a superstition
of the time held that anyone excommunicated from the Catholic or Orthodox
faiths would rise as one of the living dead !).
The "Berserker" made more enemies than ever before, including
the Eastern Orthodox Church dignitaries for his entering into a "schismatic"
church. Matthias did indeed manage to secure his son-in-law's old office
for him, but it was to be short-lived. Dracula's third reign ended
after only two months on December 26, 1476, during a Turkish invasion.
There are two versions of Dracula's death. Either he was beheaded
by the Turks, or he was masquerading as one of the Turks to avoid capture
and died at the hands of his own men who mistook him for the enemy.
Vlad Tepes is supposedly buried in a tomb on Snagov Island.
An excavation in 1931 (now what was significant about that year?) failed
to turn up his body, so it is theorized that he was interred elsewhere to
fool grave robbers or is buried much deeper. The investigation is
continuing.
Another common question asked is "does Dracula have any living
descendants?" The last known direct descendants died in the seventeenth
century, but as Vlad had more illegitimate children than he could count,
it is a likelihood that several blood relatives are living.
Author Radu Florescu has been seen said to be indirectly descended
from Dracula, and a Count Alexander Cepesi, who operate s a blood bank in
Turkey, claims to be a descendant. According to
The Dracula Book, by Don Glut, Cepesi
says that he "grew up in the very castle where the original Count Dracula
committed his heinous crimes." If that is true, he must have had an
unhappy childhood, judging by the present state of the castle.
Clubs and travel agencies continue to offer "Dracula tours"
of the area, and Romania enthusiastically welcomes them. One of the
first was General Tourist "Spotlight on Dracula -- An Adventure in Transylvania,"
which comprised three weeks of travel to "Dracula" landmarks in Romania,
Turkey, and England.
As stated earlier, the Romanians do protest Vlad Tepes' vampire
image, believing it to be an American invention. Two people I met in
the country, in fact, thought that Bram Stoker was an American.
But bear this in mind: in spite of their resentment of what
they feel is a misrepresentation, the people of Romania are a friendly lot
and love to see the Americans who come so far to see them.
One of my most interesting contacts was Sebastian, the caretaker
of Dracula's tomb, who has been mentioned in a couple of texts. According
to A Night in Transylvania, by
Kurt Brokaw, he has been repeatedly asked if Bela Lugosi is buried in the
crypt. Sebastian was apparently so weary of this that he told me that
Dracula's spirit visits him every night (mind you, I did not ask him that
silly question; it was merely a joke that he volunteers to all American and
British tourists, seemingly).
Not many movies have ever focused on the real Dracula, although
Christopher Lee did play Vlad Tepes in a documentary produced in 1972 entitled
"In Search of
Dracula," (not to be confused
with Leonard Nimoy's "In Search Of"
television program). Lee's resemblance to Vlad was considered uncanny;
"the same face," was the remark given by one critic.
Vlad Tepes also had a "cameo" in Dan Curtis' version of
"Dracula,"
starring Jack Palance. The role was certainly appropriate for Palance
as he had, coincidentally, played Attila the Hun, another figure from Dracula's
stomping grounds, in the 1954 film, "Sign of the
Pagan."
Recent novels have featured the "reality" of Count Dracula
by centering on his life as Prince Vlad. He has, however, been kept a "vampire"
as most people still cannot disregard that identity.
One of such works was, Dracula
Began, by Gail Kimberly (Pyramid, 1976), which contained a truly
entertaining (though slightly altered) account of Dracula's boyhood while
held in captivity by the Turks.
Others touch on the life of Vlad in,
Crimson Kisses (by Asa Drake;
Avon, 1981), The Dracula Archives (by
Raymond Rudorff; Arbor House, 1971),
Bloodright (by Peter Tremayne; Dell,
1977), and, Dracula, My Love (by Peter
Tremayne; Dell, 1980).
Though Dracula has remained a vampire in all of these subsequent
novels, could his literary image be slowly metamorphosing to that of his
real-life counterpart? It might be considered unlikely, since America's
attraction to the Count is based largely on his supernatural escapades.
Still, the history of one Vlad Tepes is an intriguing one and
should continue to be related so that new generations can be aware that what
is a fine classic is not totally steeped in fantasy.
And just how does one suppose the real Dracula would have reacted
to being depicted as a vampire? Judging by his reputation for having
been a lover of wit, he may have been greatly amused.
CONTINUE